Although there were some collectors of his art, such as Alfred Bruyas and Alexandre Dumas fils, the artist sold all his remaining work to the dealer Père Martin in 1863 and ceased painting. Although his submission to the 1855 World Exhibition was well received by the critics, Tassaert became more and more withdrawn from the art world that he despised, and he no longer exhibited after the Salon of 1857. While addressing social injustice, Tassaert attempted to strike the emotional chord of the viewer. Tassaert's historical, religious, allegorical, and especially genre scenes of an often melodramatic character earned him such titles as "the poor man's Prud'hon," or "the attic Correggio."1 Although his works did not always meet with critical approval, during the 1850s he achieved some popular success with paintings depicting the lives of the poor: unhappy families, dying mothers, sick or abandoned children, and the like. His first success came when the duc d'Orléans purchased his canvas The Death of Correggio (Salon 1834, Hermitage, St. In the late 1820s and early 1830s, the artist painted history paintings and a few portraits, but in order to make ends meet, he worked for various publishers as an engraver and lithographer. Yet, to his great disappointment Tassaert never succeeded in winning the Prix de Rome, nor the Legion of Honor later in his career. In 1816 Octave apprenticed with the engraver Alexis-François Girard (1787-1870), then studied at the École des Beaux-Arts from 1817 through 1825, under Guillaume Guillon-Lethière (1760-1832). 1855), who were both printmakers and print dealers. 1835), and then by his older brother, Paul (d. He declined into alcoholism, damaging his eyesight (he was treated at Montpellier in 1865, during which time he stayed with Bruyas) and finally committing suicide by inhaling coal gas in 1874.Born into a family of Flemish origin that had already included several generations of artists, (Nicolas-François) Octave Tassaert was first taught by his father, Jean-Joseph-François Tassaert (1765-ca. Collectors of his works included Alfred Bruyas and Alexandre Dumas, fils, but in 1863 Octave stopped painting altogether and tried to become a poet (though none of his works are extant), selling all his remaining paintings to the dealer Père Martin. His submission to the 1855 World Exhibition was well received by the critics, but Octave ceased to exhibit after the 1857 Salon, withdrawing more and more from the formal art world. Winning popular but not critical success, his works showing poor people's lives were felt melodramatic by critics but acclaimed by the public. Next he studied at the École des Beaux-Arts (1817–25) from 1817 through 1825, under Guillaume Guillon-Lethière, but never won the school's Prix de Rome. 1835) and his older brother Paul (?-1855), before he was apprenticed to the engraver Alexis-François Girard (1787–1870). Octave's first artistic training came from his father Jean-Joseph-François Tassaert (1765-c. He was the grandson of the sculptor Jean-Pierre-Antoine Tassaert. Nicolas François Octave Tassaert was a French painter of portraits and genre, religious, historical and allegorical paintings, as well as a lithographer and engraver.
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